Wednesday, August 31, 2011
It was a quiet afternoon. I sat on my bed, sorting books while Audrey arranged her dolls on the carpet beside me.
“Guess what Audrey?” I asked.
“What?” Her head popped up over the edge of the bed.
“Ella and Kate are coming home in two days!”
“Two days?” Her weary eyes widened.
Suddenly her eyes glazed; she looked away, abstractedly, then sighed. “O,” she said, turning her eyes back to me, “and Olivia won’t be with them?”
It was half a question, half a lament - one little note of protest, testing the finality of the absence she had learned to call 'death.'
“No,” I said, my voice quavering, “she won’t.”
That night at dinner Audrey prayed: "Dear Jesus, thank you that Ella and Kate are coming home soon. And please help me and Evie to be patient about having our princess dolls. And please help Becca and Brice to be patient about seeing Livia again. Because I know they still cry.
Tuesday, August 30, 2011
Saturday, August 27, 2011
After my dear friendBetsy featured some photos of Carrie and Ryan's invites on her blog, their suite was featured on 100 Layer Cake and OH SO Beautiful Paper. It was such a privilege to be able to translate my love for Ryan and Carrie into something touchable and visually stimulating; and I'm happy that other people were inspired by it, too. Carrie works at a travel agency and both she and Ryan have traveled extensively so the travel theme was not only inspired by my sisterly confidence that they will "go far" together, but by their mutual love for seeing the world.
Credit goes to Betsy for acting as the project's "artistic director," and to our friend, Sarah, whose own over-sized wedding invites first inspired me to try to put together something unique for Ryan and Carrie.
I should also mention, for anyone eccentric enough to try something like this, that the paper for the liners was purchased at Cavallini Papers. I ordered several different travel and vintage-themed papers - one with old passport stamps and stickers, one with vintage world maps, and another with vintage stationary - and then, because I am totally nuts, selected which one to use based on the color scheme of the stamps and the biography of the person, if I knew any part of it!
Friday, August 26, 2011
From now on I'll post pictures in order but, proud mother that I am, I had to put these "Photos by Audrey" taken at the Monterey Aquarium at the front of the line... The light was bad inside, and all the pictures are a little blurry, but I love the images she captured.
We spent the first part of August winding up the California coast... I armed with my camera, Evie with her "bink" and her "blank," and Audrey with a 35mm Diana mini. On several occasions she even borrowed my large lens... I am looking foward to posting snapshots, from a variety of vantage points, large and small.
Saturday, August 20, 2011
"As sorrowful, yet always rejoicing..."
"The day is yours, and yours also the night..." ~Psalm 74.16
I've not written much since Olivia's death. I haven't known how. It's as though I've put on a pair of those silly 3D glasses - the contours of the world are different now, unaccountably different; there is a new dimension to existence - the dimension of grief and loss - and no one's told me how to integrate it into what was previously my "normal life." As a result I've been apprehended by the sense that what I have to write is either too weighted down with grief, or too frivolous, and I haven't known how to strike a balance between the two.
Wherever I am - but especially in the presence of Olivia's parents and sisters - there is a hole. Though a ray of hope pierces even our darkest hours - there is a new shadow over every shining moment. Life feels simultaneously as though it cannot go on and like it must go on... Both sensations are impossibly, even imposingly true and real; but any attempt to give vent to one over the other feels like an act of betrayal...as though I am denying one truth in order to express another.
I ask myself: How can I move forward when moving forward feels like leaving her behind? (It isn't.) How can I rejoice in all that's worthy of rejoicing in when the world is so full of sorrow? (Somehow, I must try.)
There is an old Innocence Mission song with lyrics that go, "This flurry of plans is over, over / And I'm sorry and glad together / Our bustling house is sane now, sane / now / And I'm sorry and glad together..." That is how I feel exactly – the whirlwind of activity that so often marked the time we spent together, watching our girls tear up the ground, has been tempered, and all the plans we had have... well, they have been given back to God – and I am sorry and glad together. Like a long, low sigh after an extraordinary book, I am filled with sorrow that Olivia's life on earth is over at the same time that I am glad her story collided with and became part of our stories for a little while.
I see, too, that I must accept that when writing about life - about real life - there is no way to strike the perfect balance, to follow every thread. There are countless running narratives in every story, so many that it's impossible to convey them all. On a basal level, life is always at least two things together - joy and sorrow are like bookends, marking off the boundaries that contain everything in between, and they take turns throwing themselves into center stage.
This blog began as an affirmation of the life God had given me. At a time when I felt most acutely aware of my limitations and failures - certainly as a writer, but also as a mother/wife/daughter/sister/friend - I realized I must make a decisive choice about where I was going to focus my concentration.
I could choose to focus on my seeming "deprivations" and failures - and thus shrink back into a paroxysm of self - self-reproach, paralysis, and despair or I could choose to fix my eyes on Jesus, the Author and Perfecter of all things, and to discipline myself to view life through the lenses of His Word.
This required, and requires still, not only a childlike faith, a faith that recklessly says "Yes" to God; it requires the suspension of disbelief, a decision not to disbelieve, not to say "No." That may sound redundant or over-complicated - double-negatives always are! - but I have found both muscles are indispensable and must be flexed on a daily basis if I am to remain "accessible" to God, letting Him write my life story and take me to all the places He wants me to go.
I can choose to say “Yes” to the everyday miracles – like watching the way the light works its way through clouds, and the colors it casts over my horizon. I can choose not to despise "the day of small things," and believe that God has not only initiated a great work in my life, and the life of the world, but that He delights in the work He is doing.
Every time I stoop to snap a photograph, or wriggle wildly out a window, or stop dead in front of a shop display, or weave across scraggly cliffs while Dutch looks down at me, wagging his head, smiling, to capture one-millionth part of the moment, I am saying "yes" to my Creator, to the life He has given me, to the world He has made, and the people He has peopled it with - I am finding Him in even the small moments, and glorying in the "small things," gifts, all of them, which He has created to fill up my days.
And when circumstances arise, like the death of a little girl, our sweet Olivia-Lu, to test my faith – to arrest my “Yes” and press it back against the wall – I am free to lament and mourn and present my complaint to God; but I must refrain from dismissing the plausibility of His goodness in a particular situation before I have grasped His purpose. "Shall we accept good from God, and not evil?" asked Job.
This is very hard; but any teacher will tell you that it's awfully presumptuous to judge an Author before you have really listened to what He has to say - or let Him see His story through.
What would have happened if Christ had rejected the cross because it offended His sense of justice? What would have happened had Jesus turned away from such an arduous calling because, like the scoffers who dismissed Him on the grounds that He came from Galilee, He couldn’t possibly see how anything good could come from one man’s dying on a cross?
We are judgers, all of us. But we forget that we lack perfect knowledge... and all our best estimations are hopelessly one-sided.
On the pendulum of life, the needle still swings back and forth, from joy to pain and back again; these states persist, and are reconcilable only through Christ – "who for the joy set before Him endured the cross, despising its shame, and is now seated at the right hand of the throne of God" (Hebrews 12:1). His finished work on the cross means that, although we will still weep, our tears "will never be shed again in the way they were before" (Oswald Chambers, A Place of Help). Sorrow remains but with a promise - He will transfigure every tear into a shout of praise, and the blackest holes will swell and bloom into gardens of beauty.
This is the Christ-life; I have tested it, and it is true in the old-fashioned sense of the word. It remains trustworthy where all else is counterfeit.
So I will continue to put up these pictures and words. These words and pictures. Not because they have, in themselves, any particular power or merit. But because they are my gift to Him. My way of strengthening feeble knees, of learning to walk by faith-sight and not mere eye-sight, and to accept what He has given, even the heart-rending thing, glorying in it, and giving it back to Him.
Thank you, Lord, for broken arms, and lungs that struggle to take in air; thank you for Dutch, and all the days he's gone. Thank you for Olivia. Thank you for her life; thank you for her death; and for the good things which have already come as a result of her having lived. Thank you for your magnificent promises - that as Solomon said, 'the end of a matter is better than its beginning.' Thank you that, in Christ, we possess the glorious hope of seeing her again, "in a little while," on that beautiful shore.